(Continued from Wednesday, March 29. Click here to read Part 1…)
While Philadelphia artist Lou Hirshman first became known in the 1930s and 1940s for his witty three-dimensional caricatures of public figures, his subject matter evolved with the decades.
By the 1960s, he was using his found-object constructions to comment on social types ranging from psychiatrists and dictators, to pot smokers and TV viewers.
Hirshman’s 1962 “The Duel” shows two combatants – deftly outlined in long strands of string – locked in eternal combat by the children’s scissors that bind them. Their matching physiques and identical button faces hint at a different type of duel – an internal one.